na yaḥ sam(p)ṛcche na punar havītave, na saṃvādāya ramate |
tasmān no adya samṛter uruṣyatam… ||
Save us, Today, Mitra and Varuna
From those foes who do not ask questions
Do not offer sacrificial oblations, and
Do not rejoice at a conversation…
~ Ṛgveda 8.101.4
praśna sabse pahle saṃskāra par hī uṭhatā hai.
Indeed, the inheritance (saṃskāra) gets questioned first.
~ Mukund Lath
Prāśnika is a peer-reviewed biannual open-access academic journal that publishes philosophical essays, translations, and reviews.
A prāśnika is a questioner. The word is derived from the Sanskrit root praś/pracch, which primarily means to question but also carries connotations of praying or hoping (cf. the Latin cognates precari, meaning “to ask earnestly;” and prex, meaning “prayer/request:” whence the English pray). A prāśnika is therefore someone who prays, petitions, seeks, or hopes: an inquirer as well as a supplicant.
Through the inquisitiveness that thinking demands and inculcates, Prāśnika seeks to raise questions peering into the diverse tapestries of sundry intellectual and linguistic traditions across the subcontinent. What are the theoretical frameworks that these traditions operate through? What are the theoretical valencies that the topologies of subcontinental thought offer to philosophical practice? What can they teach us, both in their individual capacities and through their mutual interactions?
With questions such as these, the Prāśnika aims to articulate the affective entanglements that characterise twenty-first century life in the subcontinent. The journal strives to curate philosophical perspectives inquiring into the intrinsic logic and rigour of these topologies. In this spirit, Prāśnika is keen to publish philosophical research that presents critical reflections on subcontinental traditions of imagination and thought, and to bring philosophy into conversation with other disciplines, such as Indological-historical scholarship, literature, artistic-cultural discourse, and other social/natural sciences.
Prāśnika is published online by Let’s Talk Tattva.
Visit the journal website for detailed information.
Issue 1: Monsoon 2026
Philosophy and Poesy: Tracing the Lives of Imagination in the Subcontinent
Traditionally, the poet’s act of naming—sculpting vision and speech—has been seen as preceding and sustaining the act of explicit argumentation. As early as Vedic literature, we find the figure of the poet (kavi), often evoked as the “friend of god,” in the sense that the “poet becomes inspired by the Brahman [the ultimate reality] and the result is the kāvya [poetry] which is the Brahman” (Atharva 6.108.2). This primordial act of poesy has broadly taken two trajectories: the practice of storytelling (for instance, in the Mahābhārata), and the systematic study of the craft and meaning of aesthetic experience (the discipline of Aesthetics/Poetics). On the other hand, the enterprise of philosophy really took off by debating the meaning and nature of the reality announced, as it were, in a prelude to these musings of the poets, so that we see here an already complex relationship between the pursuits of poetry and philosophy.
The inaugural Monsoon 2026 issue of Prāśnika seeks to understand the relationship between philosophy and poetry: whether such a relationship exists; whether it should exist; and whether their co-occurrence ought to be avoided and undermined at all costs. What is philosophy? What is poetry? What is the relationship between the two? Do we philosophise when we poetise? Do we poetise when we philosophise? We invite submissions creatively engaging with the questions of the shared space (or lack thereof) between philosophy and poesy, that are anchored in and beyond intellectual traditions and literary practices of the subcontinent. These reflections on the lives of imagination need to be oriented towards Prāśnika’s aim of producing knowledge that discloses something meaningful about our day-to-day engagements with the world, thereby deepening our affective entanglement with the world we inhabit.
With this in mind, we invite contributions on the following themes, but not limited to them:
- How does poetry influence philosophy? And vice versa?
- How does the status of the poet and the philosopher change across the ancient to modern sources? Is there a difference between the two therein?
- What is the role of thinking in poetics?
- Is poetics sensitive to its own (philosophical) assumptions?
- How sensitive is philosophical literature to the hermeneutic horizon shaped by the poetic traditions?
- How do poets across various literary traditions envision or conceptualise the relationship between philosophy and poetry?
- How do oral traditions conceive the role of a poet or philosopher?
Submission Categories
- Book Reviews: Books relevant to the theme of the issue ~2000 words
- Philosophy Essays: Original pieces of writing engaging with the theme of the issue; ~4000 words (including footnotes and bibliography)
- Translated Articles/Fiction/Poetry: Pieces of writing on the theme of the issue outside the Anglophone literature
Expectations from Authors:
- Interweaving the Theme
Submissions should meaningfully engage with the issue’s theme—not merely gesture at it. We seek pieces that explore the theme with philosophical depth, conceptual clarity, and a reflective seriousness. Whether the engagement is direct or tangential, it should be thoughtful and well-integrated. - Argumentative Rigour
We encourage submissions that present a clear thesis and offer a reasoned defence of it. Even in experimental or hybrid formats, the work should demonstrate critical thinking, intellectual coherence, and argumentative structure. - Policy on Language and Style
While philosophical writing often requires precision, we ask authors to strike a balance between technical accuracy and readability. Use technical terms where necessary, but define them clearly and concisely. Avoid jargon where possible, and strive for clarity without oversimplification. The goal is to communicate complex ideas effectively to an informed, interdisciplinary audience.
Submission Guidelines
- Submission Language
If you wish to write in a language other than English, please specify it during submission. We will try our best to arrange translators for the same. - Diacritic Marks
For Sanskrit transliteration, please use the IAST (International Alphabet of Sanskrit Transliteration) system. For regional languages, we are currently reviewing best practices and welcome consistent and respectful usage of diacritics. - Plagiarism Policy
Plagiarism is strictly prohibited. Authors bear full responsibility for the originality and integrity of their submissions. - Inclusive Language
We encourage the use of inclusive language. Note that the singular “they” is accepted and recommended, in line with the Chicago Manual of Style (CMOS 18). - Formatting Requirement
We prefer submissions that follow the Chicago Manual of Style (CMOS, 18th ed.). Please adhere to the following formatting specifications:
File type: .docx
Font: Times New Roman/EB Garamond
Font size: 12 pt
Spacing: Double
Ensure your manuscript follows the general conventions of academic writing. - Author Bio
A short bio (200–300 words) with a list of your publications, if any. You are also welcome to share a representative image or another form of preferred representation. - Simultaneous Submissions
You may submit your work elsewhere simultaneously. However, if your piece is accepted for publication elsewhere, please inform us immediately. - Monetisation
Currently, we do not charge submission fees or offer compensation to contributors. The journal will remain freely available online for reading and sharing. - Post-Publication Rights
Authors retain full copyright of their published work. We kindly request that you acknowledge this journal as the original place of publication in any future reprints or citations.
Please use this Google Form for Submissions: Prāśnika Submissions
Outline of the Editing Process
Editorial Process: We will use a double-blind peer-review process for the philosophy articles.
Proposed Editorial Timeline (Post Abstract Acceptance):
- Manuscript Draft 1 Submission:
Contributors submit the first full draft by the selected deadline. - Editorial Review – Round 1 (2 weeks):
Editors review and provide feedback on Draft 1 within two weeks. - Contributor Revision – Draft 2 (2 weeks):
Contributors revise and submit Draft 2 within the following two weeks. - Editorial Review – Final Comments (1 week):
Editors provide final comments and any additional requests within one week. - Final Submission (1–2 weeks):
Contributors submit the finalised version, including any necessary credits, aesthetic notes, image requests, and a short author bio. - Final Confirmation (1 week):
Editors review and confirm the final version within one week.





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